Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Saturday, May 15, 2021

12 Unscripted Movie Lines That Became Classics part 3 of 3

This is the final offering of my 3-part blog about movies. It's a given that actors speak the dialogue written in the script, but that's not always the case. Some of our most memorable movie lines were not in the script. They were adlibbed by the actor and were so great they were kept in the movie. And many of them became classics. Here are some of those now classic lines of unscripted movie dialogue.

Casablanca (1942)

"Here's looking at you, kid."

Humphrey Bogart first said this line while teaching Ingrid Bergman how to play poker between takes. The phrase came out spontaneously during one of the Paris flashback scenes and became a recurring line in the movie, most memorably near the end.

Midnight Cowboy (1969)

"I'm walkin' here!"

Dustin Hoffman was genuinely angry when a taxi ran a red light and almost hit him and Jon Voight. Hoffman stayed in character and the line stayed in the movie.

Taxi Driver (1976)

"Are you talkin' to me?"

Robert De Niro did a brilliant job of improvising the entire scene, inspired by a single sentence in the script—Travis looks in the mirror.

Young Frankenstein (1974)

"What hump?"

For his character of Igor, Marty Feldman kept shifting the hump on his back as a joke for the other cast members. After someone noticed, the improvisation was worked into the script.

Goodfellas (1990)

"What do you mean funny? Funny how? … Funny like I'm a clown, I amuse you?"

Joe Pesci based this dialogue on an encounter he had years earlier with an actual mobster at a restaurant where Pesci worked.

Jaws (1975)

"You're gonna need a bigger boat."

Roy Scheider didn't have a line right after his close encounter with a Great White, so he made up this one.

Apocalypse Now (1979)

"You're an errand boy, sent by a grocery clerk."

On location, Marlon Brando folded up pages of the script and turned them into a paper hat, which he put on his head. He later ad-libbed some 18 minutes of dialogue for his character, Colonel Kurtz.

The Third Man (1949)

"In Italy for 30 years under the Borgias, they had warfare, terror, murder, bloodshed. They produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, 500 years of democracy and peace. And what did that produce? The cuckoo clock."

Only Orson Welles would have the confidence to add his own lines to a screenplay by Graham Greene.

Silence of the Lambs (1991)

"Hsssssss."

Anthony Hopkins made an unexpected hissing sound right after delivering this memorable line about eating the census taker's liver with fava beans and a nice chianti. He intended it as a joke. The director kept it in the movie, along with Jodie Foster's stunned reaction.

Deliverance (1972)

"Squeal like a pig!"

The most disturbing line in the movie was improvised on set in an effort to clean up the dialogue, with the hope that Deliverance could eventually be shown on television.

Dr. Strangelove (1964)

"Mein Fuhrer, I can walk!"

Peter Sellers, who played three characters in Stanley Kubrick's Cold War satire, ad-libbed much of his dialogue. The lines were later added to the screenplay after they had been spoken.

The Shining (1980)

"Heeeeere's Johnny!"

Director Stanley Kubrick, who lived in England, didn't know the reference to Johnny Carson's Tonight Show. Jack Nicholson's dark joke nearly ended up on the cutting room floor.

There are, of course, many more occasions where this has happened, producing memorable movie lines. This is merely a sampling.

Saturday, February 24, 2018

SOME OF HOLLYWOOD'S BEST WHO NEVER RECEIVED AN OSCAR®


The 90th Annual Academy Awards Ceremonies falls on Sunday, March 4th, this year.  Who will win that coveted statuette?  Who will be taking home an Oscar®?

There are many people in the movie industry who are considered legends, those who received multiple nominations over the years and deserved the Academy Award but never received that elusive prize.  Some of the names will even strike you as What? That can't be true. He/She must have won at least once.

So, in no particular order, here is a cross-section of very deserving movie legends who were often nominated but missed out on the grand prize of the movie industry's top award.

1)  Alfred Hitchcock
With a string of directorial masterpieces to his credit, he never won one of the prized statuettes for directing.  However, in 1968 he was presented an honorary Oscar® for his lifetime body of work.

2)  Cary Grant
He made it look easy which sometimes prevented people from realizing just how good he was—adept at drama and light comedy (and even slapstick, after all he started his career as a vaudeville acrobat in England which certainly equipped him with the dexterity and coordination to do physical comedy).  Considered by many to be the epitome of the romantic leading man.  However, in 1970 he was presented an honorary Oscar® for his lifetime body of work.

3)  Peter O'Toole
He holds the record for the most Best Actor nominations (8) without a win with his most famous role probably Lawrence of Arabia.  My personal favorite of Peter O'Toole's films is My Favorite Year, one of his few comedy films.  However, in 2003 he was presented an honorary Oscar® for his lifetime body of work.

4)  Deborah Kerr
With many outstanding roles, certainly From Here To Eternity and also The King And I, she was nominated six times but no wins.  However, in 1994 she was presented an honorary Oscar® for her lifetime body of work.

5)  Richard Burton
Many outstanding performances including an exceptional one in Who's Afraid Of Virginia Wolfe. Six nominations, five of them for Best Actor, but no wins.

6)  Albert Finney
The British actor is probably best known for Tom Jones, one of his earlier films.  He's garnered five nominations but no wins.  My favorite Albert Finney film is Murder On The Orient Express with his marvelous portrayal of Hercule Poirot (supported by an incredible cast including several Oscar® winners and nominees, among them multiple Oscar® winner Ingrid Bergman who won an Oscar® for Best Supporting Actress in Murder On The Orient Express).

7)  Angela Lansbury
Today she's best known for her award winning role of Jessica Fletcher, the retired school teacher turned mystery novelist and amateur sleuth in the long running television series Murder, She Wrote.  In addition to television, she has an impressive string of Tony award winning Broadway performances.  But oddly enough, even though she started her career in films and received three Oscar® nominations, it's the acting award that has remained elusive.  My favorite of her Oscar® nominations was for a riveting performance in the original film version of The Manchurian Candidate with Frank Sinatra and Laurence Harvey (she played Laurence Harvey's mother even though they were only a few months apart in age).

8)  Fred Astaire
Although best known for a stellar career in a long string of very successful musicals (many with his long time partner, Ginger Rogers), his one and only nomination came for a dramatic role in Towering Inferno.  I remember being pleasantly surprised when I saw his excellent performance in his first dramatic role, 1959's On The Beach—a story of nuclear war aftermath starring Gregory Peck.

9)  Charlie Chaplin
He is one of the most pivotal stars of the early days of Hollywood.  Even though he never won for either acting or directing, I wasn't sure whether to add him to this list of never won an Oscar® because he did win one for Best Original Musical Score in 1952 for Limelight.  However, in 1972 he was presented with an honorary Oscar® for his lifetime body of work and received the longest standing ovation in Academy Awards history (over twelve minutes).

There are, of course, many more nominated actors/actresses/directors who deserve but haven't yet had their name engraved on an Oscar®.

Saturday, June 6, 2015

Who Almost Played The Role?


Casting for the lead role in a movie can be a lengthy process with many qualified candidates to sift through before making that final decision.  The choice of actor in a role can sometimes end up making the difference between a box office success and a mediocre film.

Through the decades there have been many starring roles that were almost cast with a different lead, possibly changing the audience response to the character and the movie.  In retrospect, trying to visualize someone else in the role sometimes leaves us scratching our heads and wondering what in the world they were thinking of with their first choice.

Here's a sample list of films and the stars that almost didn't get the role, some of the second choices earning an Oscar for their performances.

Pirates Of The Caribbean:  the role of Capt. Jack Sparrow in that first movie was originally intended for Jim Carrey, but when a scheduling conflict forced him to bow out the role went to Johnny Depp who put his own indelible stamp on the character in a series of successful Pirates Of The Caribbean films.

Drive:  Hugh Jackman was originally signed for the role that ended up being Ryan Gosling's.

Lord Of The Rings:  When Sean Connery turned down the role of Gandalf, it went to Sir Ian McKellen.

American Psycho:  It was originally Leonardo DiCaprio who was eventually replaced by Christian Bale.

Men In Black:  Chris O'Donnell was originally cast but due to the director's insistence Will Smith replaced him.

Basic Instinct:  Kelly McGillis was considered before the role went to Sharon Stone.

Dirty Dancing:  Val Kilmer was considered but the role eventually went to Patrick Swayze.

The Shining:  The iconic Jack Nicholson role almost went to Robin Williams.

Pretty Woman:  Molly Ringwald turned down the role that was a career maker for Julia Roberts.

Silence Of The Lambs:  Michelle Pfeiffer almost had the role that won Jodie Foster one of her Oscars.

Indiana Jones:  George Lucas was pushing for Tom Selleck but Steven Spielberg held out for Harrison Ford. And in addition to that, Tom Selleck but had done a pilot for Magnum P.I. and the network wouldn't let him out of the contract.

The Matrix:  Ewan McGregor was cast first, but turned down the role in favor of Star Wars Episode 1.

Gladiator:  Mel Gibson turned down the role that won an Oscar for Russell Crowe.

Titanic:  Matthew McConaughey was first choice, but the role ultimately went to Leonardo DiCaprio.

Forrest Gump:  John Travolta turned down the role that earned Tom Hanks one of his Oscars.

Chicago:  John Travolta also turned down the role of Billy Flynn with the role going to Richard Gere. (I saw an interview with John Travolta where he was asked why he turned down the role. He said he had seen the Broadway production and couldn't visualize how they could turn it into a good movie. He was then asked if he regretted that decision and he gave what I thought was a very gracious answer. To paraphrase, he said that the movie audience was treated to Richard Gere's excellent performance.)

Iron Man:  Tom Cruise turned down the role due to script issues. It was then offered to Robert Downey, Jr., along with Iron Man 2 and Iron Man 3.

Rebel Without A Cause: Marlon Brando lost out to James Dean.

The Sound Of Music:  Mia Farrow lost out on the role of Liesl.

Superman:  Stockard Channing lost out to Margot Kidder for the Lois Lane role.

Star Wars:  Kurt Russell lost out to Harrison Ford for the role of Han Solo.

East Of Eden:  Paul Newman tested and was turned down for the role of James Dean's brother.  Joanne Woodward lost out on a role in the same movie.

Octopussy (James Bond):  James Brolin tested for the role of James Bond, then Roger Moore decided not to leave the 007 franchise.

Valley Of The Dolls:  Judy Garland was cast in the movie.  After production began, she was fired and replaced by Susan Hayward.  Interestingly—it was rumored that in her book, author Jacqueline Susann based the Patty Duke role in this film on Judy Garland's life.

Godfather:  Robert DeNiro tested for the role of Sonny (went to James Caan) and was considered for the role of Michael that went to Al Pacino who had dropped out of The Gang That Couldn't Shoot Straight to do the Michael role. DeNiro took the role in The Gang That Couldn't Shoot Straight that Pacino vacated.  In Godfather II, when Marlon Brando dropped out over salary disputes, the role of the young Vito went to DeNiro.

And now let's go back several decades to some movies from the 1940ish time frame.

The Wizard Of Oz:  MGM wanted to borrow Shirley Temple from 20th Century Fox to play the role of Dorothy.  When that negotiation didn't work out, the role went to Judy Garland.

Robin Hood:  Jack L. Warner wanted James Cagney cast in the title role that went to Errol Flynn who seemed born to play the part.

Gone With The Wind:  Every leading actress in Hollywood (over thirty actresses including every top name) was tested for the coveted role of Scarlet O'Hara and all were rejected.  And when I say every leading actress, that's not an exaggeration. Even totally unlikely candidates were tested including Lucille Ball, Gloria Swanson, and even Mae West (who was 43 years old at the time which made her at least twenty years older than the Scarlett character). The movie had already started filming before a British actress named Vivien Leigh (married to Laurence Olivier at the time) was finally cast as Scarlet. A year after Gone With The Wind, Vivien Leigh tested for the lead role in Rebecca and lost out to Joan Fontaine who had tested and lost out on the role of Scarlet O'Hara.

The Maltese Falcon:  George Raft turned down the role of Sam Spade because he felt it was 'not an important film.'  To director John Huston's delight the role went to Humphrey Bogart.

Casablanca:  Ronald Reagan was first considered for the Humphrey Bogart role in one of the all time classic films.

Citizen Kane:  Orson Welles was turned down for a studio contract at Warner Bros.  So, he took a script he had co-written to RKO and made the film in which he starred and also directed, a film that is considered by many to be the finest film ever made.  And Orson Welles was only twenty-five years old at the time.